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While the two increasingly dehydrated and sleep-deprived boys are locking lips, they become a focal point in the lives of other teen boys dealing with languishing long-term relationships, coming out, navigating gender identity, and falling deeper into the digital rabbit hole of gay hookup sites-all while the kissing former couple tries to figure out their own feelings for each other.more While the two increasingly dehydrated and sleep-deprived boys are locki New York Times bestselling author David Levithan tells the based-on-true-events story of Harry and Craig, two 17-year-olds who are about to take part in a 32-hour marathon of kissing to set a new Guinness World Record-all of which is narrated by a Greek Chorus of the generation of gay men lost to AIDS.
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Read – or reread – “The Outsiders” and think about how gender roles continue to change and as humanity evolves in its understanding and acceptance of what is “normal,” and what should be.New York Times bestselling author David Levithan tells the based-on-true-events story of Harry and Craig, two 17-year-olds who are about to take part in a 32-hour marathon of kissing to set a new Guinness World Record-all of which is narrated by a Greek Chorus of the generation of gay men lost to AIDS. While they are never overtly sexual, there’s something delightfully warm, caring and intimate about these relationships that could serve as a model for young men today, whether or not they are questioning their gender or sexuality. The book’s focus on class conflict still resonates, but even more so does its portrayal of intimacy between the boys. These “greasers” are always rumbling with the “socs” or “socials,” the middle-class preppy kids. Set in rural Oklahoma, “The Outsiders” concerns a group of working-class teen boys. But many contemporary readers, including many of my students, have picked up and enjoyed the book from a queer perspective, “queering” it in the process. She started writing the book at age 16.įor those who say this isn’t a queer book, on the surface, no, it’s not. This is a “classic” or older work of young adult fiction, one of the first written by a relatively young person for other young people: S.E. What makes “The House in the Cerulean Sea” particularly queer is not just the queerness of many of its characters, including Linus, but the ways in which it shows us how outsiders have generally been ostracized, and how many outsiders have in turn learned to embrace their queerness, not just to survive, but to thrive.
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This is much like Native peoples’ children across the North American continent being relocated to white-run schools throughout the 19th and early 20th centuries to assimilate them into white society and culture. The narrative is told primarily from the point of view of Linus Baker, a nonmagical caseworker who is assigned the task of visiting and inspecting various orphanages or homes that house magical youths who have been taken from their parents and relocated to be raised separately. Such a narrative formula, popular in young adult fiction as it sets up dramatic conflict between two distinct groups, gets a twist in Klune’s novel. This book by TJ Klune follows very much in the vein of young adult books that feature the presence of young people with magical abilities trying to make their way in a world of “normals,” or people who do not have such abilities and fear those who do. ‘The House in the Cerulean Sea’ by TJ Klune.